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Category: 早期电影 Early Cinema

Pordenone 2019 Day 7:观影之人总赶在时钟之前

on October 16, 2019October 26, 2020 By Aiyang Zou

Tarkovsky说影像是对时间中真实的观察与重新组合;而作为一种可塑的抽象存在,它便拥有了默认的欺骗属性。一定是因为时间掌控我们,迷惑我们,扭曲我们的感知,所以在影像堆叠的电影节,一天的时间才可以那么长又那么短。但即使舍不得告别,这届电影节之旅也已经走到尽头了。

Pordenone 2019 Day 6:意外与惊喜总是携手而行

on October 14, 2019October 26, 2020 By Aiyang Zou 1 Comment

接连不断的意外和放映事故,以及根本预料不及的美好惊喜共同构成了电影节的倒数第二日。

Pordenone 2019 Day 5:向音乐举杯

on October 12, 2019October 26, 2020 By Aiyang Zou 3 Comments

虽然只有今天是这个标题,但每天从早到晚的任意一场表演都是绝对的大师水准。本篇我会多花一些笔墨,向许多人从开幕到闭幕都见不上一面,却始终在舞台下池座的黑暗中为默片观影体验完整性做着努力的音乐家们致敬。

Pordenone 2019 Day 4:珍贵的与失落的

on October 11, 2019October 26, 2020 By Aiyang Zou 1 Comment

今天看到的无数画面或许在未来几十年间都很难再见了,如同题图中Marion Davies的微笑一样像钻石般珍贵。也只有在Pordenone,才能遇到这小小的奇迹一日吧。

Pordenone 2019 Day 3:如果眼睛无法抵达

on October 10, 2019October 26, 2020 By Aiyang Zou 1 Comment

我一直以来都被比我年长许多的人提醒着要更包容,更不畏惧探索新的疆域,被默片这个已经没有新作诞生,只是发现与再发现的电影类别不断惊喜着。

Pordenone 2019 Day 2:星星不只在天空闪耀

on October 8, 2019October 26, 2020 By Aiyang Zou 2 Comments

如果说Le Gironate的第一天属于喜剧,那第二天就属于熠熠生辉的明星们,甚至其中还有人开口说话了。

Pordenone 2019 Day 1:笑过的一天才是值得的一天

on October 5, 2019October 26, 2020 By Aiyang Zou

Chaplin众多名言当中有一句是这样的:“没有欢笑的一天便是虚度的一天。”以这个标准来看,充满各种相遇重逢并在Teatro Verdi度过美好时光的电影节第一日,绝对没有理由算是虚度。

波代诺内无声电影节上的中国默片

on September 30, 2019September 30, 2019 By Aiyang Zou

1995年及1997年,波代诺内无声电影节(Le Giornate del Cinema Muto)对中国默片进行了两次大规模回顾,2014及2019年也分别展映了新近发现或修复的两部影片。

G. W. Pabst电影中的「临时空间」

on September 29, 2019April 25, 2020 By Aiyang Zou 1 Comment

G. W. Pabst的电影常常发生在妓院、赌场、酒馆、夜总会、管教所和穷街陋巷。而代表传统的家庭空间,无论华丽还是破败,都无一例外是冰冷的。

遗失电影档案#1:三部《血字研究》A Study in Scarlet (1914)

on September 28, 2019September 28, 2019 By Aiyang Zou 1 Comment

这个新系列会回顾各类暂时认定遗失的电影(不仅限于默片)。第一期先从一位伟大的侦探首次登场的案件开始。1914年有三个不同国家制作的《血字研究》上映,可惜如今其中的任何一个版本都难觅踪迹。

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